Friday, October 17, 2014

Fwd: Celebrate the UBUNTU festival at The Studio Museum!


Celebrate the UBUNTU festival at The Studio Museum!
The Studio Museum in Harlem Newsletter | October 16, 2014
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October Program Highlights
Oct 19, 2014 4–6PM, Theatre

In celebrating Carnegie Hall's UBUNTU: Music and Arts of South Africa festival, The Studio Museum in Harlem is partnering with The Bag Factory Artists Studios in Johannesburg to present a weekend-long, artist-exchange program aimed at inciting a cross-cultural conversation. This special project will feature a public dialogue moderated by Tumelo Mosaka where artists Firelei Baez (NY), Jarrett Erasmus (SA), Sean Slemon (SA) and Xaviera Simmons (NY) will explore and discuss their practice in relation to Ubuntu philosophy, which emphasizes the importance of community and highlights the important role played by late Nelson Mandela in reconciling South Africa's political history with its goals of integration and inclusion. 

Dedicated to Mandela's legacy, UBUNTU: Music and Arts of South Africa—which runs from October 8 through November 5, 2014 at Carnegie Hall—celebrates South Africa's vibrant musical culture, featuring performances by legendary trumpeter and composer Hugh Masekela, world-renowned singers Ladysmith Black Mambazo, grammy Award-winning singer and activist Angélique Kidjo and many more. Through our partnership with Bag Factory Artists Studios, we hope to broaden this dialogue to reflect the important role the visual arts have played in shaping this unique history. Our hope is that these important conversations will extend well beyond the length of the Ubuntu festival!

To RSVP, please email programs@studiomuseum.org.


Mandela Monoprints
October 19, 2014, 2–4 PM, Workshop A

Families are invited to celebrate the life and legacy of Nelson Mandela with expressions of creativity through printmaking. Participants will print and personalize drawstring backpacks with a Mandela portrait and unique, colorful designs.

This special workshop will help celebrate Carnegie Hall's UBUNTU: Music and Arts of South Africa festival! 

Click here to RSVP for Hands On: Mandela Monoprints


The Artist's Voice
Abigail DeVille's The New Migration: Living Dead (Harlem)

October 25, 2014, 4–6 PM, Marcus Garvey Park, 124th Street and Courtyard

Bronx-born visual artist Abigail DeVille explores the implications of mass flight and migratory return in a new work entitled The New Migration: Living Dead (Harlem), presented as part of the Museum's Artist’s Voice series. Working in collaboration with stage director Charlotte Brathwaite, a sunset procession will take place with Burnt Sugar the Arkestra Chamber and a host of New York performers. Inspired by the brave women and men who left the violence of the Jim Crow South on a quest to the Promised Land of the North, as well as Jacob Lawrence's seminal masterwork, The Migration Series, the procession is a celebration of the transformative power of migrations past, present and continuous. The procession will feature participants clad in DeVille's wearable sculptures as they chant, dance and sing from Marcus Garvey Park, down 124th Street and into the Studio Museum's Courtyard.

This event is free and open to the public, and will convene at the 124th Street entrance to Marcus Garvey Park. RSVP to programs@studiomuseum.org.

Museum Highlights and A Look Ahead

Target Free Sundays!

In addition to free Museum admission on Sundays, the Education and Public Programs departments organize free programs and events geared to our different audiences. Target Free Sundays at the Studio Museum ensures that the Museum is accessible to all. Thanks to the generous support of Target, Museum admission is free every Sunday. RVSP is required for all events. 

Sunday, October 19
ALL AGES
Gallery Tour: Material Histories: Artists in Residence 2013–14
1–2 PM


KIDS AND FAMILY PROGRAMS
Hands On: Mandela Monoprints
2–4 PM
Sunday, October 26
ALL AGES
Gallery Tour: Charles Gaines: Gridwork 1974–1989
1–2 PM


KIDS AND FAMILY PROGRAMS
Hands On: Color-by-Chance Drawings
2–4 PM

Are you a budding Museum or Arts Educator, wondering how you might access the museum field and gain hands-on experience?

If yes, please join us for an information session to learn
more about the Museum Education Practicum!

This free, 8-week course is an intensive training program designed to provide emerging museum and arts educators with an in-depth look at museum education with the guidance of the Studio Museum's knowledgeable Education department. The curriculum includes seminars and in-gallery lab sessions, professional talks and presentations, as well as opportunities to observe an array of education programs. Participants will also gain firsthand experience facilitating tours and workshops. In addition to exploring both theory and practice, participants will enter into a specific conversation around artists of African descent, contemporary art practice, and programmatic strategies. 

RVSP for info session on October 22, 5–6:30 PM
RVSP for info session on November 20, 5–6:30 PM


Expanding the Walls Applications are due Tuesday, November 18th!

Expanding the Walls: Making Connections Between Photography, History and Community is an eight-month photography-based program for a select group of students enrolled in a high school or GED program. ETW uses the work of renowned Harlem photographer, James VanDerZee, as a catalyst for discussion and art-making. Students participate in a series of art workshops, discussion groups and field excursions while learning the basics of digital photography. 

Click here to begin the application!


Introducing Members-Only Wednesday Evenings—Starting November 19!

Become a member today and instantly become a part of the Studio Museum community! Members are integral to the life of the Studio Museum. Gain first-hand access and insight into new directions and historical issues in the contemporary art world.

In appreciation of their support, all Members receive the following:
  • Unlimited general admission to the Studio Museum
  • Invitations to exhibition openings
  • Free or discounted tickets to education and public programs
  • One-year subscription to Studio magazine
  • Annual recognition in Studio magazine
  • Discounts at the Museum Store, and at various local businesses
  • Starting November 19th! Members-Only Wednesday evenings

We are gearing up for our Fall/Winter
Exhibition Season!


Joining the pioneering exhibition Speaking of People: Ebony, Jet and Contemporary Art are Kianja Strobert: Of this Day in Time, Titus Kaphar: The Jerome Project and the latest installment of Harlem Postcards. Fall/Winter 2014–15 exhibitions and projects will be on view November 13, 2014–March 8, 2015. 

View press release here

Things We Love This Week
 
 
 
Can't get enough of Charles Gaines: Gridwork 1974–1989? Explore our tumblr! It features Gaines’s work, ephemera from throughout his career, other artists inspired by the grid and crowd-sourced exhibition documentation tagged #gainesgridwork.


Images (top to bottom):

Abigail DeVille, ADDC Obelisk, 2014, Wood armature, cinder blocks, fabric, paper, plastic, chicken wire, plaster, crates, shopping carts, tape, rope, paint, barbed wire, gold leaf and box springs, 60 × 60 × 180 inches. Courtesy the artist. Photo taken by: Groana Melendez; Photo of Clifford Owens. Courtesy of the Brooklyn Academy of Music; Charles Gaines, Faces, Set #10: Terry Allen, 1978, Photograph, ink on paper, Three parts: 23 × 19 in. each (framed); 23 × 57 in. (framed), Collection of Barbara Gaines
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Thursday, October 16, 2014

Fwd: Ticket Giveaway - BIRDMAN



Hello Culture Club members!    The New York Observer, Fox Searchlight and Regency Enterprises are giving you a chance to win a complimentary pair of run-of-engagement passes to see BIRDMAN!    One lucky winner will be picked at random to receive a $100 gift card to STRAND Book Store located at 828 Broadway at 12th Street!    Log onto http://link.observer.com/53d1627edd52b8bd7e001de91wn58.1z0/VD_SC0mO_1YoHZP_B9b5d for more information        Good luck!    The New York Observer Culture Club      

Wednesday, October 15, 2014

Fwd: P.O.P. MARKS BLACK PANTHER PARTY FOUNDING ANNIVERSARY WITH IN-HOUSE TEACH-IN BY ZAYID MUHAMMAD


THE PEOPLES ORGANIZATION FOR PROGRESS
PO BOX 22505
NEWARK, NJ 07101
973 801 0001
CONTACT: LAWRENCE HAMM
October 15, 2014
 
FOR IMMEDIATE RELEASE!
 
P.O.P. MARKS BLACK PANTHER PARTY FOUNDING ANNIVERSARY
WITH IN-HOUSE TEACH-IN BY ZAYID MUHAMMAD
 
On Thursday, October 16th, Zayid Muhammad, a highly respected cub of the NY chapter of the Black Panther Party and the recently retired national minister of culture for the New Black Panther Party, will do  a ‘People’s History of the Black Panther Party’ at the P.O.P. general assembly meeting.
 
The meeting takes place at the Abyssinian Baptist Church, 224 West Kinney Street, Newark. Doors open at 6:30pm.
 
Muhammad, perhaps best known for his longtime mobilizing efforts in support of Black Panthers who are in prison because they were FBI COINTELPRO targets, will conduct a teach in to mark the anniversary of the founding of the Black Panther Party. He has worked closely with NY Panthers Dhoruba Bin Wahad and the late Safiya Bukhari Alston, both former political prisoners, among others.
 
The Black Panther Party was founded on October 15, 1966 by the late Huey P. Newton and others in Oakland, California…
 
Looking Ahead…
 
TABLE TALK WITH P.O.P.-IMPORTANT FUNDRAISER!
 
On Friday, October 24th, the Montclair Branch will host its annual Table Talk With P.O.P., an exciting all-you-can-eat fundraiser for this tireless organization.
 
It all takes place at St. Peter Claver Church, located at 56 Elmwood Avenue in Montclair. Doors open at 7pm.
 
The evening will feature a community based salute to the late Mary Weaver, P.O.P’s most beloved vice chair and founder of the organization’s East Orange Branch…
 
P.O.P. SHOWING FILM ‘PRESUMPTION OF GUILT’!
 
On Thursday, October 30th, the People’s Organization for Progress will host a special showing of the critically acclaimed documentary ‘Presumption of Guilt: Race, Class and Crime in America,’ as apart of their participation in ‘Mass Incarceration Resistance Month,’ at their general assembly meeting.
 
The meeting takes place at the Abyssinian Baptist Church, 224 West Kinney Street, Newark. Doors open at 6:30pm…
 
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Tuesday, October 14, 2014

Fwd: Notify NYC - Silver Alert

Silver Alert issued on 10/14/14 at 2:00 AM. NYPD has issued a Silver Alert for the disappearance of Celeste Capellan, a 77-year-old Hispanic female from Lexington Avenue and Lewis Avenue in Brooklyn. Ms. Capellan is described as being 5'3" tall with brown eyes, dark hair, a thin build, and light skin. She was last seen at 7:47 PM on 10/13 at Metropolitan Avenue and Rentar Avenue in Queens, wearing a dark blue shirt, dark blue jeans, and black Reebok sneakers. A photo of the missing is attached below. If you see Ms. Capellan, please call 9-1-1.


The sender included the following attachment:
https://attachments.sendwordnow.com/Attachments.aspx?token=35cf3e30-dd81-4c93-8cca-9fcdf9a48ec8





The sender provided the following contact information.
Sender's Name: Notify NYC
Sender's Email: notifynyc@oem.nyc.gov
Sender's Contact Phone: 2126399675



Fwd: Notify NYC - Silver Alert

Silver Alert issued on 10/13/14 at 8:25 PM. NYPD has issued a Silver Alert for the disappearance of Harry Washington, a 78-year-old black male with dementia, from the area of Einstein Loop and Hutchinson River Parkway East in The Bronx. Mr. Washington was last seen on 10/10 around 6:30 AM wearing a blue baseball hat, blue jacket, and grey pants. He is described as being 5'9" tall and 160lbs. A photo of the missing is available at http://imgur.com/5kkDUQN. If you see Mr. Washington, please call 9-1-1.


The sender included the following attachment:
https://attachments.sendwordnow.com/Attachments.aspx?token=23ed5a1e-8bbf-42e7-b003-9f3594f9cc29





The sender provided the following contact information.
Sender's Name: Notify NYC
Sender's Email: notifynyc@oem.nyc.gov
Sender's Contact Phone: 2126399675

.



Monday, October 13, 2014

Fwd: Before Columbus: How Africans Brought Civilization to America


Before Columbus: How Africans Brought Civilization to America | Global Research

Before Columbus: How Africans Brought Civilization to America

Global Research, October 12, 2014


On Monday, AmericaÂ’s government offices, businesses, and banks all grind to a halt in order to commemorate Columbus Day. In schools up and down the country, little children are taught that a heroic Italian explorer discovered America, and various events and parades are held to celebrate the occasion.

It has now become common knowledge amongst academics that Christopher Columbus clearly did not discover America, not least because is it impossible to discover a people and a continent that was already there and thriving with culture. One can only wonder how Columbus could have discovered America when people were watching him from America’s shores?

Contrary to popular belief, African American history did not start with slavery in the New World. An overwhelming body of new evidence is emerging which proves that Africans had frequently sailed across the Atlantic to the Americas, thousands of years before Columbus and indeed before Christ. The great ancient civilizations of Egypt and West Africa traveled to the Americas, contributing immensely to early American civilization by importing the art of pyramid building, political systems and religious practices as well as mathematics, writing and a sophisticated calendar.

The strongest evidence of African presence in America before Columbus comes from the pen of Columbus himself. In 1920, a renowned American historian and linguist, Leo Weiner of Harvard University, in his book, Africa and the discovery of America, explained how Columbus noted in his journal that Native Americans had confirmed that “black skinned people had come from the south-east in boats, trading in gold-tipped spears.”

One of the first documented instances of Africans sailing and settling in the Americas were black Egyptians led by King Ramses III, during the 19th dynasty in 1292 BC. In fact, in 445 BC, the Greek historian Herodotus wrote of the Ancient Egyptian pharaohs’ great seafaring and navigational skills. Further concrete evidence, noted by Dr. Imhotep and largely ignored by Euro-centric archaeologists, includes “Egyptian artifacts found across North America from the Algonquin writings on the East Coast to the artifacts and Egyptian place names in the Grand Canyon.”

In 1311 AD, another major wave of African exploration to the New World was led by King Abubakari II, the ruler of the fourteenth century Mali Empire, which was larger than the Holy Roman Empire. The king sent out 200 ships of men, and 200 ships of trade material, crops, animals, cloth and crucially African knowledge of astronomy, religion and the arts.

African explorers crossing the vast Atlantic waters in primitive boats may seem unlikely, or perhaps, far fetched to some. Such incredible nautical achievements are not as daunting as they seem, given that
numerous successful modern attempts have illustrated that without an oar, rudder or sail ancient African boats, including the “dug-out,” would certainly have been able to cross the vast ocean in a matter of weeks.

As time allows us to drift further and further away from the “European age of exploration” and we move beyond an age of racial intellectual prejudice, historians are beginning to recognize that Africans were skilled navigators long before Europeans, contrary to popular belief.

Of course, some Western historians continue to refute this fact because, consciously or unconsciously, they are still hanging on to the 19th-century notion that seafaring was a European monopoly.

After all, history will tell you that seafaring is the quintessential European achievement, the single endeavor of which Europeans are awfully proud. Seafaring allowed Europe to conquer the world. The notion that black Africans braved the roaring waters of the Atlantic Ocean and beat Europeans to the New World threatens a historically white sense of ownership over the seas.

When most people think about ancient Mexico, the first civilizations that come to mind are the Incas, Aztecs and the Maya. However, during the early 1940′s archeologists uncovered a civilization known as the Olmecs of 1200 BC, which pre-dated any other advanced civilization in the Americas.

The Olmec civilization, which was of African origin and dominated by Africans, was the first significant civilization in Mesoamerica and the Mother Culture of Mexico.

Olmecs are perhaps best known for the carved colossal heads found in Central Mexico, that exhibit an unmistakably African Negroid appearance. Ancient African historian Professor Van Sertima has illustrated how Olmecs were the first Mesoamerican civilization to use a written language, sophisticated astronomy, arts and mathematics and they built the first cities in Mexico, all of which greatly influenced the Mayans and subsequent civilizations in the Americas. “There is not the slightest doubt that all later civilizations in [Mexico and Central America], rest ultimately on an Olmec base,” once remarked Michael Coe, a leading historian on Mexico.

Africans clearly played an intricate role in the Olmec Empire’s rise and that African influence peaked during the same period that ancient Black Egyptian culture ascended in Africa.

A clear indicator of pre-Columbus African trans-Atlantic travel is the recent archeological findings of narcotics native to America in Ancient Egyptian mummies, which have astounded contemporary historians. German toxicologist, Svetla Balabanova, reported findings of cocaine and nicotine in ancient Egyptian mummies. These substances are known to only be derived from American plants. South American cocaine from Erythroxylon coca and nicotine from Nicotiana tabacum. Such compounds could only have been introduced to Ancient Egyptian culture through trade with Americans.

Similarities across early American and African religions also indicate significant cross-cultural contact. The Mayans, Aztecs and Incas all worshipped black gods and the surviving portraits of the black deities are revealing. For instance, ancient portraits of the Quetzalcoatl, a messiah serpent god, and Ek-ahua, the god of war, are unquestionably Negro with dark skin and wooly hair. Why would native Americans venerate images so unmistakably African if they had never seen them before? Numerous wall paintings in caves in Juxtlahuaca depict the famous ancient Egyptian “opening of the mouth” and cross libation rituals. All these religious similarities are too large and occur far too often to be mere coincidences.

Professor Everett Borders notes another very important indication of African presence, which is the nature of early American pyramids. Pyramid construction is highly specialized. Ancient Egypt progressed from the original stepped pyramid of Djosser, to the more sophisticated finished product at Giza. However, at La Venta in Mexico, the Olmecs made a fully finished pyramid, with no signs of progressive learning. Olmecian and Egyptian pyramids were both placed on the same north-south axis and had strikingly similar construction methods. Tellingly, all of these pyramids also served the same dual purpose, tomb and temple.

Ancient trans-Atlantic similarities in botany, religion and pyramid building constitute but a fraction of the signs of African influence in ancient America. Other indicators include, astronomy, art, writing systems, flora and fauna.

Historically, the African people have been exceptional explorers and purveyors of culture across the world. Throughout all of these travels, African explorers have not had a history of starting devastating wars on the people they met. The greatest threat towards Africa having a glorious future is her people’s ignorance of Africa’s glorious past.

Pre-Columbus civilization in the Americas had its foundation built by Africans and developed by the ingenuity of Native Americans. Sadly, America, in post-Columbus times, was founded on the genocide of the indigenous Americans, built on the backs of African slaves and continues to run on the exploitation of workers at home and abroad.

Clearly, Africans helped civilize America well before Europeans “discovered” America, and well before Europeans claim to have civilized Africa. The growing body of evidence is now becoming simply too loud to ignore. It’s about time education policy makers reexamine their school curriculums to adjust for America’s long pre-Columbus history.

Garikai Chengu is a scholar at Harvard University. Contact him on [email protected]


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Saturday, October 11, 2014

Park Slope School Holds Meeting to Discuss Reports About School Safety Officers

 

A Park Slope high school held a town hall meeting to discuss recent reports that school safety officers have been demanding students leave the neighborhood when school gets out.

Park Slope School Holds Meeting to Discuss Reports About School Safety Officers
Sat, 11 Oct 2014 04:14:58 GMT

Thursday, October 9, 2014

Apollo Theater sheds light on Harlem's South African roots

 

HARLEM’S roots run as wide as they are deep. The Apollo Theater is producing a four-day festival this weekend to highlight the neighborhood’s longstanding affinity with the motherland.

Apollo Theater sheds light on Harlem's South African roots
PETER WRIGHT
Thu, 09 Oct 2014 23:10:47 GMT

Stickball Documentary Tells Tale of 'When Broomsticks Were King'

 

A documentary about one of the city's classic street games is getting new attention.

Stickball Documentary Tells Tale of 'When Broomsticks Were King'
Thu, 09 Oct 2014 18:53:44 GMT

Unequal Treatment? Race, Ebola and the Tragic Death of Thomas Eric Duncan

 

Why was Thomas Eric Duncan, a Liberian national infected with Ebola, sent home when he first sought treatment at a Dallas hospital? The question is an unsettling one, not only because the failure to follow proper protocols may have cost him his life and placed others at risk of contracting the disease. It’s also unsettling [...]

The post Unequal Treatment? Race, Ebola and the Tragic Death of Thomas Eric Duncan appeared first on Black Politics on the Web.

Unequal Treatment? Race, Ebola and the Tragic Death of Thomas Eric Duncan
The Admin
Thu, 09 Oct 2014 20:44:32 GMT