Showing posts with label BLACK HISTORY. Show all posts
Showing posts with label BLACK HISTORY. Show all posts

Wednesday, December 31, 2014

Black Native Americans beginning to assert identity

 

Morgan James Peters wears dreadlocks and directs the African and African-American Studies program at the UMass Dartmouth. The single name he prefers to use, Mwalim, is similar to the Swahili word for teacher. But Mwalim traces his ancestry not only to Africa, but also to North America — the Mashpee Wampanoag. He says he embraces [...]

The post Black Native Americans beginning to assert identity appeared first on Black Politics on the Web.

Black Native Americans beginning to assert identity
The Admin
Wed, 31 Dec 2014 13:39:44 GMT

Sunday, April 13, 2014

Civil Rights Hero?? Racist Lyndon B. Johnson Was A Connoisseur The Word “N****r” Who Helped Pass The “N****r Bill”

 

lyndon b johnson racist

Civil Rights Hero Lyndon Johnson Was Racist And Used The N-Word

The Civil Rights Act was called the “N****r Bill” by your boy LBJ.

According to MSNBC:

Lyndon Johnson said the word “n**ger” a lot. In Senate cloakrooms and staff meetings, Johnson was practically a connoisseur of the word. According to Johnson biographer Robert Caro, Johnson would calibrate his pronunciations by region, using “nigra” with some southern legislators and “negra” with others. Discussing civil rights legislation with men like Mississippi Democrat James Eastland, who committed most of his life to defending white supremacy, he’d simply call it “the n**ger bill.”

Then in 1957, Johnson would help get the “n**ger bill” passed, known to most as the Civil Rights Act of 1957. With the 1964 Civil Rights Act and the 1965 Voting Rights Act, the segregationists would go to their graves knowing the cause they’d given their lives to had been betrayed, Frank Underwood style, by a man they believed to be one of their own. When Caro asked segregationist Georgia Democrat Herman Talmadge how he felt when Johnson, signing the Civil Rights Act, said ”we shall overcome,” Talmadge said “sick.”

The Civil Rights Act made it possible for Johnson to smash Jim Crow. The Voting Rights Act made the U.S. government accountable to its black citizens and a true democracy for the first time. Johnson lifted racist immigration restrictions designed to preserve a white majority – and by extension white supremacy. He forced FBI Director J. Edgar Hoover, then more concerned with “communists” and civil rights activists, to turn his attention to crushing the Ku Klux Klan. Though the Fair Housing Act never fulfilled its promise to end residential segregation, it was another part of a massive effort to live up to the ideals America’s founders only halfheartedly believed in – a record surpassed only by Abraham Lincoln.

So it would be tempting, on the 50th anniversary of the Civil Rights Act, as Johnson is being celebrated by no less than four living presidents, to dismiss Johnson’s racism as mere code-switching – a clever ploy from an uncompromising racial egalitarian whose idealism was matched only by his political ruthlessness. Nor was it the kind of immature, frat-boy racism that Johnson eventually jettisoned. Even as president, Johnson’s interpersonal relationships with blacks were marred by his prejudice. As longtime Jet correspondent Simeon Booker wrote in his memoirShocks the Conscience, early in his presidency, Johnson once lectured Booker after he authored a critical article for Jet Magazine, telling Booker he should “thank” Johnson for all he’d done for black people. In Flawed Giant, Johnson biographer Robert Dallek writes that Johnson explained his decision to nominate Thurgood Marshall to the Supreme Court rather than a less famous black judge by saying, “when I appoint a n**ger to the bench, I want everybody to know he’s a n**ger.”

According to Caro, Robert Parker, Johnson’s sometime chauffer, described in his memoir Capitol Hill in Black and White a moment when Johnson asked Parker whether he’d prefer to be referred to by his name rather than “boy,” “n**ger” or “chief.” When Parker said he would, Johnson grew angry and said, “As long as you are black, and you’re gonna be black till the day you die, no one’s gonna call you by your goddamn name. So no matter what you are called, n**ger, you just let it roll off your back like water, and you’ll make it. Just pretend you’re a goddamn piece of furniture.” But we shouldn’t forget Johnson’s racism, either. After Johnson’s death, Parker would reflect on the Johnson who championed the landmark civil rights bills that formally ended American apartheid, and write, “I loved that Lyndon Johnson.” Then he remembered the president who called him a n**ger, and he wrote, “I hated that Lyndon Johnson.”

Surprised??? Discuss…

Read the article in its entirety HERE.

Civil Rights Hero?? Racist Lyndon B. Johnson Was A Connoisseur The Word “N****r” Who Helped Pass The “N****r Bill”
Bossip Staff
Sun, 13 Apr 2014 14:17:29 GMT

Monday, February 10, 2014

How to use slavery for art and profit

How to use slavery for art and profit

Crouch: Gordon Parks was a fine photographer, the first black person hired by Vogue and Life magazines and the first black director hired by a major Hollywood studio. Like so many in show business, he is mostly forgotten now.

How to use slavery for art and profit
Stanley Crouch
Mon, 10 Feb 2014 09:00:42 GMT

Friday, May 17, 2013

For Your Information: Was The Lone Ranger Really A Black Man?

For Your Information: Was The Lone Ranger Really A Black Man?

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If you hit up the movies this Summer to see Jerry Bruckheimer’s “The Lone Ranger” you may want to keep in mind that the real life Lone Ranger was actually black.

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Via Shadow And Act:

Was the Lone Ranger actually based on the exploits of a real life black hero? The evidence points to a resounding yes.

That person was Bass Reeves (the gent pictured above with one helluva mustache) who, not surprisingly, was written out, or purposely overlooked in histories of the West, by historians, until recently, and who was the subject of a long overdue book written a few years years ago by Art Burton, titled Black Gun, Silver Star: The Life and Legend of Frontier Marshal Bass Reeves.

Naturally born a slave in 1838, Reeves’ master brought him along as his personal servant when he went off to fight with the Confederate Army, during the Civil War. And seeing an opportunity when it presented itself, Reeves escaped for freedom after, reportedly, beating up his master following an argument over a card game.

Reeves fled to the then Indian Territory (which later became the state of Oklahoma) and lived among the Seminole and Creek Indians. After the war, he married and eventually fathered ten children.

He became a Deputy U.S. Marshall working in Arkansas and the Indian Territory (the first black one ever) when the existing U.S. Marshall, James Fagan, who himself was a former Confederate Army officer, needed deputies to establish law and order in the region, and had heard about Reeves, who knew the area well and could speak several Indian languages. Fagan made him a deputy.

So where does the Lone Ranger connection come in? Well, according to Burton, like the Ranger, Reeves was a master of disguises which he would use to track down wanted outlaws, and even adopting their clothes and mannerisms to blend in with them.

According to Burton, Reeves also gave out silver coins as a sort of personal trademark, which is not too dissimilar from the Lone Ranger who uses silver bullets.

Also, like the Lone Ranger, Reeves was an expert crack shot; So good, in fact, that he was barred from participating in shooting contests being that he had an unfair advantage. And Reeves always rode a white or grey horse like the Ranger.

Also Reeves had his own Tonto of sorts – an Indian posse man and tracker he often rode with, when he was out capturing bad guys (close to 3000 in all, during his years as a marshal, 14 of them he killed).

But Burton also draws the connection between Reeves and the Lone Ranger with the fact that many of the outlaws Reeves captured were sent to a federal prison in Detroit. And by some strange coincidence, The Lone Ranger was first introduced to the public in 1933 on a weekly radio show broadcast from WXYZ in Detroit.

Perhaps the stories about Reeves told by those convicts in that Detroit prison, circulated around for years and eventually reached the ears of the creators of The Lone Ranger, who used them as the inspiration for their fictional creation.

Sadly, Reeves’ years as a deputy came to an end in 1907 when the territory became the state of Oklahoma and the state, strictly following the Southern states segregationist Jim Crow laws, took away his badge and he retired. He died three years later in 1910, to be totally forgotten… until recently.

And that’s the story of American history isn’t it? Just barely scratch the surface and you’ll always find a black man underneath.

Fascinating right? Don’t act like we never taught y’all nothing.

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For Your Information: Was The Lone Ranger Really A Black Man?
thatsmybiz1
Fri, 17 May 2013 11:50:50 GMT

Thursday, March 7, 2013

Father Divine's New York mansion gets new owners

Father Divine's New York mansion gets new owners

The Yonkers house was home to followers of the noted mid-century black religious leader.

Father Divine's New York mansion gets new owners
Wed, 06 Mar 2013 10:34:05 GMT

Tuesday, February 19, 2013

Determined to Serve: Black Doctors in the Civil War

Determined to Serve: Black Doctors in the Civil War

This year marks the 150th anniversary of the American Civil War when the nation was divided over the issue of slavery. During that time, many freed blacks enlisted in the Union Army, including several African American doctors. Little is known about these brave men, but there is a move to change that. Retired physician Dr. [...]

Determined to Serve: Black Doctors in the Civil War
The Admin
Mon, 18 Feb 2013 15:30:10 GMT

Friday, February 15, 2013

Arts, Culture & Fun Series: The Powerbroker: Whitney Young’s Fight for Civil Rights

Arts, Culture & Fun Series: The Powerbroker: Whitney Young’s Fight for Civil Rights

Date: February 20, 2013

In partnership with PBS’ Emmy award-winning Community Cinema series Parks is screening The Powerbroker: Whitney Young’s Fight for Civil Rights.

Whitney M. Young, Jr. was one of the most celebrated — and controversial — leaders of the civil rights era. The Powerbroker: Whitney Young's Fight for Civil Rights follows his journey from segregated Kentucky to head of the National Urban League. Unique among black leaders, he took the fight directly to the powerful white elite, gaining allies in business and government, including three presidents. Young had the difficult tasks of calming the fears of white allies, relieving the doubts of fellow civil rights leaders, and responding to attacks from the militant Black Power movement. Produced by Bonnie Boswell.

Start time: 12:00 pm

End time: 1:30 pm

Contact phone: (718) 353-7853

Location: Al Oerter Recreation Center (in Flushing Meadows Corona Park)

Arts, Culture & Fun Series: The Powerbroker: Whitney Young’s Fight for Civil Rights
Fri, 15 Feb 2013 05:00:02 GMT

Wednesday, February 13, 2013

Celebrate Black History Month: African-American Monuments in New York City’s Parks

Celebrate Black History Month: African-American Monuments in New York City’s Parks

Date: February 18, 2013

The monuments in our parks honor the heights of human achievement and the depths of human sacrifice. They are intended in permanent form to commemorate persons, events and values of lasting consequence to the evolution of our city, nation and the world, and to our advancement as a people.

In honor of Black History Month, this exhibition examines those monuments in the Parks collection that honor key African-American figures in the arts, sport, the military, science, and the abolition movement and who are preserved in our collective memory. Also remembered are the many thousands of anonymous people who, until emancipation, did not have the rights of citizenship and were enslaved.

Start time: 9:00 am

End time: 5:00 pm

Contact phone: (212) 360-8163

Location: Arsenal (in Central Park)

Celebrate Black History Month: African-American Monuments in New York City’s Parks
Wed, 13 Feb 2013 05:00:02 GMT